{"id":395,"date":"2025-12-12T13:28:48","date_gmt":"2025-12-12T12:28:48","guid":{"rendered":"https:\/\/www.rediscoveringbasilicata.com\/archiviopost\/2025\/12\/12\/explaining-opera-to-the-world\/"},"modified":"2025-12-12T13:28:48","modified_gmt":"2025-12-12T12:28:48","slug":"explaining-opera-to-the-world","status":"publish","type":"post","link":"https:\/\/www.rediscoveringbasilicata.com\/archiviopost\/2025\/12\/12\/explaining-opera-to-the-world\/","title":{"rendered":"Explaining Opera to the World"},"content":{"rendered":"

Tavola rotonda
a cura di Giuseppina La Face<\/h4>\n
\u00a0<\/div>\n

Terza sessione della International Conference
Polimnia: L\u2019Opera per tutti!<\/span><\/em><\/p>\n

\u00a0<\/div>\n

venerd\u00ec 17 ottobre 2025, ore 14
Modena, Aula Magna del Rettorato
via Universit\u00e0, 4<\/span><\/p>\n

IUL \u2013 Universit\u00e0 Telematica degli Studi
Universit\u00e0 di Modena e Reggio Emilia
Conservatorio \u201cVecchi \u2013 Tonelli\u201d di Modena
Conservatorio \u201cPeri \u2013 Merulo\u201d di Reggio Emilia<\/span><\/p>\n

in collaborazione con<\/p>\n

Associazione \u201cIl Saggiatore Musicale\u201d
Study Group IMS \u2013 Transmission of Knowledge as a Primary Aim in Music Education<\/span><\/p>\n

\u00a0<\/div>\n

PROGRAMMA<\/span><\/p>\n

14:00<\/span>
Saluti Istituzionali<\/p>\n

14:20<\/span>
Introduzione
Antonella Coppi (Firenze), Dinko Fabris (Potenza)
Polimnia: l\u2019Opera per tutti!<\/em><\/p>\n

14:40<\/span>
Tavola rotonda\u00a0Explaining Opera to the World<\/em>
Moderano Nicola Badolato (Bologna) e Paolo Somigli (Bolzano)<\/p>\n

Giuseppina La Face (Bologna \u2013 Basel)
Position Paper:\u00a0Explaining Opera to the World: Why Not?<\/em><\/p>\n

14:55<\/span>
Magnus Tessing Schneider (G\u00f6teborg)
Italian Opera in Northern Europe: From Bildung to Inclusivity<\/em><\/p>\n

15:20<\/span>
Annie Yen-Ling Liu, Blake Stevens, Li Dong (Beijing)
Italian Opera in China: A Survey of Recent Scholarship and Production History<\/em><\/p>\n

15:50<\/span>
V\u00edctor S\u00e1nchez S\u00e1nchez (Madrid)
Spain: Renewing Traditional Models, a Difficult Path<\/em><\/p>\n

16:15 \u2013 16:35<\/span>\u00a0Coffee break<\/p>\n

16:40<\/span>
Irina Susidko, Pavel Lutsker (Mosca)
Opera to the Masses: The Russian Experience<\/em><\/p>\n

17:05<\/span>
Michel Noiray (Paris)
Teaching Mozart\u2019s Operas\u00a0after<\/em><\/em><\/em>\u00a0Two Hundred Years of Musicology<\/em><\/p>\n

17:30<\/span>
Pierpaolo Polzonetti (Davis, Ca.)
Opera and Revolution in the USA and Cuba<\/em><\/p>\n

17:55<\/span>
Olesya Bobrik (Moscow)
Sergey Eisenstein\u2019s \u2018Walk\u00fcre\u2019 (1940):<\/em>\u00a0The History of its Production at the Bol\u2019shoy Theatre Reconstructed<\/em><\/p>\n

18:20 \u2013 19:00<\/span>
Discussione<\/p>\n

\u00a0<\/p>\n

Comitato scientifico del Convegno<\/span>
Tarcisio Balbo (Modena), Monica Boni (Reggio nell\u2019Emilia), Antonella Coppi (Firenze),
Giuseppina La Face (Bologna), Alessandro Roccatagliati (Ferrara),
Carlida Steffan (Modena), Stefania Roncroffi (Reggio nell\u2019Emilia)<\/p>\n

Coordinamento del programma della Tavola rotonda<\/span>
Giuseppina La Face (Bologna), \u00c1lvaro Portillo (La Rioja)<\/p>\n

Coordinamento organizzativo<\/span>
Antonella Coppi<\/p>\n

\u00a0<\/p>\n","protected":false},"excerpt":{"rendered":"

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